Teaching and Research

2026 – present · Haute école de musique de Genève, Geneva (CH)

Artistic and research assistant within the REIMAGE project (Swiss National Science Foundation).

data.snf.ch/grants/grant/10004439 →

2026 – present · Jetse Academie, Brussels (BE)

Guest teacher of medieval music.

2026 · Cité médiévale de Crémieu / Bourgoin-Jallieu (FR)

Music'astera workshop: reading and interpreting medieval notation (with Benjamin Ingrao).

2024 – 2025 · Abbaye de Royaumont (FR)

CREAC «Décaméron au Lycée»: artistic creation workshop for secondary-school students.

2023 – 2024 · Conservatoire Hector Berlioz, Bourgoin-Jallieu (FR)

Teacher of medieval music within the Journées des Musiques Anciennes (with Baptiste Chopin).

2022 – 2023 · Fondation Royaumont, Viarmes (FR)

«En scène» project: dissemination and theoretical and practical teaching of medieval music to students of the Val-d'Oise conservatoires.

Co-director of the training course «Perfectionnement de la pratique vocale médiévale – Ars Nova italien», with Patrizia Bovi (Ensemble Micrologus).

2021 · Fondation Royaumont, Viarmes (FR) / Centro Studi Adolfo Broegg, Spello (IT)

Assistant to Patrizia Bovi (Ensemble Micrologus) for the training course «Chanter l'Ars Nova italien».

2018 – 2019 · Universidade de Santiago de Compostela (ES)

Recording of pieces transmitted in the Codex Calixtinus and the Pergaminho Vindel.

Musicological research within the project «Patrimonio cultural da Eurorrexión Galicia-Norte de Portugal: valoración e innovación. GEOARPAD III, Piloto I – LÍRICA», directed by Prof. Mariña Arbor Aldea.

2018 · Abbey of Sant'Antimo, Montalcino (IT)

Co-director of the training course «Per amore cantare: i grandi laudari toscani», with Francesca Breschi (Ensemble Dialogo).

2016 – 2018 · Fondazione Ezio Franceschini, Florence (IT)

Contributor to the 2016-2017 volume of the journal Medioevo Musicale.

Writing and revision of bibliographical records for the MEM database.

3 August 2023 · Centro Studi Adolfo Broegg, Spello (IT)

Paper «Musical Microcosms in the Reina Codex. A Practical Guide to the Ars Nova Manuscripts». XIV International Course of Medieval Music.

9 March 2023 · Schola Cantorum Basiliensis, Basel (CH)

Donnerstag-Akademie «The Fourteenth-Century Siciliana: Problems and Proposals between Edition and Performance Practice».

28 April 2022 · Université de Lausanne, Lausanne (CH)

Lecture-recital «Flamenca et la musique du Moyen Âge. Déconstruction d'une reconstruction».

5 July 2019 · Schola Cantorum Basiliensis, Basel (CH)

Lecture-recital «Editing and Performing the Fourteenth-Century Siciliane», with Patrizia Bovi (Ensemble Micrologus). 47th Medieval and Renaissance Music Conference (MedRen 2019).

4 June 2019 · Abbey of Morimondo (IT)

Lecture-recital «Le addizioni tardive dello Chansonnier du Roi: segno, suono, performance», with Alexandros Hatzikiriakos. International conference «Philologie et musicologie – Lingua e musica nei corpora cantati del Medioevo e del Rinascimento» (4th French-Italian meeting).

25 May 2019 · Bologna (IT)

Paper «La Siciliana trecentesca: problemi e proposte tra edizione e performance». XXIII Meeting of Italian Doctoral Programmes in Musicology.

12 November 2018 · Fondazione Ezio Franceschini, Florence (IT)

Lecture-recital «Dall'edizione critica all'esecuzione musicale: il caso di Nicolò del Preposto», with Prof. Antonio Calvia and Patrizia Bovi (Ensemble Micrologus). Study day «Musica viva: per Clemente Terni nel centenario della nascita».

20 June 2018 · University of Bologna (IT)

Paper «Con novo guardo che move d'Amore: itinerario nell'universo sonoro dantesco». AlmaDante 2018 conference.

20 July 2017 · Centro Studi Adolfo Broegg, Spello (IT)

Paper «Stella mi doni lume: per un'indagine delle relazioni intertestuali tra Nicolò del Preposto e Lorenzo da Firenze». VIII International Course of Medieval Music.

8 July 2017 · Prague (CZ)

Paper «Sovra la riva d'un corrente fiume: Literary and Political References in Lorenzo Masini's Madrigals». 45th Medieval and Renaissance Music Conference (MedRen 2017).

16 December 2016 · Certaldo Alto (IT)

Paper «Amor m'indusse ov'i' cantar sentia: musica e poesia nell'opera di Lorenzo da Firenze». International conference «Ars Nova tra musica e letteratura: temi e problemi di filologia e critica».

7 October 2016 · Terni (IT)

Lecture-recital «Diverse voci fanno dolci suoni: riferimenti musicali nella Divina Commedia», organised by the Società Dante Alighieri.